Inspired by the books of Armistead Maupin, Netflix Original Limited Series Armistead Maupin’s Tales of the City begins a new chapter in the beloved story.
Mary Ann (Laura Linney) returns to present-day San Francisco and is reunited with her daughter Shawna (Ellen Page) and ex-husband Brian (Paul Gross), twenty years after leaving them behind to pursue her career. Fleeing the midlife crisis that her picture-perfect Connecticut life created, Mary Ann is quickly drawn back into the orbit of Anna Madrigal (Olympia Dukakis), her chosen family and a new generation of queer young residents living at 28 Barbary Lane.
Armistead Maupin’s Tales of the City is a Working Title Television and NBCUniversal International studios production for Netflix. Lauren Morelli serves as Showrunner and Executive Producer, alongside Executive Producer/Director Alan Poul, and Executive Producers Armistead Maupin and Laura Linney. Working Title’s Andrew Stearn, Liza Chasin, Tim Bevan and Eric Fellner executive produce.
GLAAD Report: Record Level of LGBTQ Characters on TV
GLAAD, the world’s largest LGBTQ media advocacy organization, announced the findings of its annual Where We Are on TV report. Where We Are on TV analyzes the overall diversity of primetime scripted series regulars on broadcast networks and assesses the number of LGBTQ characters on cable networks and original scripted streaming series on the services Amazon, Hulu, and Netflix for the 2018-2019 TV season. This marks the 23rd year that GLAAD has tracked the presence of LGBTQ characters on television.
The 2018 Where We Are on TV report found a record-high percentage of LGBTQ series regulars on broadcast television at 8.8% of all series regulars. This is up from last year’s 6.4% (another record-high), and the highest GLAAD has found since the organization expanded to count all broadcast series regulars 14 years ago. The report also found that LGBTQ characters on broadcast television are at gender parity with equal percentages of men and women (49.6%), improving upon the previous year’s numbers for LGBTQ characters, which was 55% men and 44% women. For the first time, there are more LGBTQ people of color (50%) than white LGBTQ people (49%) on broadcast television.
Additional representation that is up this year across all platforms tracked (broadcast, cable, streaming) includes: the total number of bisexual+ people is up to 117 from 93; transgender people is up to 26 from 17; and characters who are HIV-positive are up to seven from two.
“With anti-LGBTQ policies being debated here and abroad, the stories and characters on television are more critical than ever before to build understanding and acceptance of LGBTQ people,” said Sarah Kate Ellis, GLAAD President and CEO. “Not only do stories that explore the rich lives and identities of LGBTQ people move the needle forward culturally, but they pay off in ratings – shows like Will & Grace, Supergirl, Empire, and How To Get Away with Murder all attract millions of viewers weekly and demonstrate that audiences are hungry for new stories and perspectives.”
GLAAD discussed the findings and highlight a path forward for content creators at an event hosted by United Talent Agency (UTA). The event featured a panel discussion around LGBTQ images on television featuring writer, director and producer Greg Berlanti, UTA TV agent Lucinda Moorhead, Steven Canals (Co-Creator, FX’s Pose), Lyrica Okano (Hulu’s Runaways), and remarks from GLAAD Director of Entertainment Research & Analysis Megan Townsend.
“An increased focus on the importance of LGBTQ representation in television, and across all content, must be a priority for our entire industry,” said UTA TV agent Lucinda Moorhead. “The content we help shape should reflect the diverse and evolving world we live in, and as creators and those who represent them, we have a special obligation to champion that mission.”
During the event, GLAAD President and CEO Sarah Kate Ellis affirmed the importance of LGBTQ images on television in today’s cultural climate and challenge the industry to reach 10 percent LGBTQ inclusion among broadcast series regular characters on primetime scripted series by 2020.
“This year’s Where We Are on TV report has shown important progress towards a media landscape that is LGBTQ-inclusive and portrays the community in a fair and accurate way,” said Megan Townsend, Director of Entertainment Research and Analysis at GLAAD. “This year we noted two history-making television moments: the premiere of FX’s Pose, which features the largest number of transgender series regular characters on a scripted U.S. series ever, and this fall The CW’s Supergirl introduced audiences to TV’s first transgender superhero when Nicole Maines made her debut as Dreamer/Nia Nal. This is all part of a welcome increase in television telling groundbreaking stories featuring characters whose identities have long been left off screen.”
Additional findings include:
- The report found record-high percentage of Black (up to 22% from 18%), Latinx (held steady at 8%, tying last year’s record), and API series regular characters (up to 8% from 7%) across broadcast television.
- Of the 857 regular characters expected to appear on broadcast scripted primetime programming this season, 75 were identified as LGBTQ. There were an additional 38 recurring LGBTQ characters.
- Netflix counted the highest number of LGBTQ characters across streaming services and FX counted the highest number of LGBTQ characters across cable networks.
- The number of regular LGBTQ characters counted on scripted primetime cable increased to 120 and recurring characters increased to 88, for a total of 208 LGBTQ characters on cable. This is up from 173 in the previous report.
- There were 75 LGBTQ regular characters counted on original scripted series on the streaming services Amazon, Hulu, and Netflix as well as 37 recurring characters. These 112 LGBTQ characters represent a significant increase from the 65 LGBTQ characters counted on streaming last year.
- For the 2018-2019 season, there will also be a record-high number of series regulars who are people with disabilities – up to 2.1% from 1.8% the previous year. This is a total of 18 characters.
- More LGBTQ characters are in leading roles than ever before with shows like The Red Line, Charmed, Vida, Tales of the City, and more putting LGBTQ characters front and center.
- All platforms tracked – broadcast, cable, and streaming – posted significant improvement in racial diversity of LGBTQ regular and recurring characters after the previous report specifically called for change here. Fifty percent of LGBTQ characters on broadcast are people of color, with streaming following (48 percent of LGBTQ characters) and cable rounding out at 46 percent of LGBTQ characters counted as people of color.
- Only 43 percent of the regular characters counted on broadcast primetime television are women, the same percentage as last year, and a severe underrepresentation of the U.S. population, which is estimated to be 51% women.
GLAAD uses the data from the Where We Are on TV report in work throughout the year to advocate leaders in the TV industry to include more diverse and substantive LGBTQ representations that accelerate acceptance.
The Golden Girls: 30 Years of Laughter and Lessons
If you know me personally then you know that I am absolutely in love with The Golden Girls. It is true, we have a shrine in our house that is dedicated to them. Today marks the thirtieth anniversary of The Golden Girls, and in honor of the momentous occasion let us revisit a few of the lessons this wonderful show has taught us.
HIV Is Not A Bad Person’s Disease
In the early years of the HIV/AIDS epidemic there were people who openly declared that the virus was God’s punishment of sinful people. From pulpits to politicians, dying people where demonized. In a matter of months, a vibrant and healthy people would deteriorate due to a mysterious disease. Fear of the epidemic lead to sexual shamming, even within the gay community. Remnants of this rhetoric continue to echo throughout conversations today, just ask anyone who openly talks about being on PrEP. The Golden Girls remind us that HIV is simply a virus, not a measure of morality.
H.A.L.T. Before Contempt Arises
With four roommates The Golden Girls had plenty of conflict. In an attempt to avoid saying something nasty, Dorothy touches on an important lesson. Before bringing up a potentially challenging conversation with a loved one, checkin with yourself. If you are Hungry, Angry, Lonely, or Tired then address your own needs first. Doing so will help keep contempt from damaging your relationship. Watch Dorothy’s half-hearted attempt to halt her cutting wit.
Take Charge Of Your Sexual Health
The ladies of Miami serve as a reminder that our sexuality does not end once we hit a certain age. Recently, the grand total of the girls’ sexual conquests was calculated and in seven seasons they got a great deal of booty. 263 booties to be exact. With so much rump-shaking happening, The Golden Girls helped to minimize sexual shame while teaching us that we are in charge of our own sexual health.
The ultimate lesson from The Golden Girls is that aging does not mean ending. We have a finite amount of time on this rock and the characters show us how to squeeze every drop of joy from later life. The women thrive because they cherish their chosen family, take healthy risks and do not allow others’ limited perceptions of aging to define them. After thirty years the series still makes people laugh while teaching us to celebrate aging rather than fearing it.
Special Preorder Price
#dragATX 2020 Calendar